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In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.

In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.

Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.

Samir Hoon began his career in VFX at R/Greenberg Associates in 1993. He joined Industrial Light & Magic in 1995. He has worked on numerous projects such as TERMINATOR 3: RISE OF THE MACHINES, ERAGON, STAR TREK INTO DARKNESS or HITMAN: AGENT 47.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

In 2013, John Knoll told us about his career and PACIFIC RIM. He then oversaw the effects of TOMORROWLAND before taking care of the new STAR WARS movies. Today he talks about his work on ROGUE ONE.

Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.

Tim Burke is working in the visual effects for the past thirty years. He won an Oscar for the Best VFX for GLADIATOR. He supervised the VFX of 7 of the 8 Harry Potter movie. After a trip in the jungle with LEGEND OF TARZAN, he is back in the Harry Potter universe with FANTASTIC BEASTS AND WHERE TO FIND THEM.

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.

Bryan Hirota had explained to us in detail in 2014 the work of Scanline VFX on 300: RISE OF AN EMPIRE. He then worked on IN THE HEART OF THE SEA. BATMAN V SUPERMAN marks his fourth collaboration with director Zack Snyder and VFX supervisor John DJ Des Jardin.