fantastic beasts where find them - résultats de la recherche

Back in 2014, Nicolas Hernandez explained the work of Milk VFX on Hercules. Then he went to work on movies such as Ex Machina,...

In 2018, Stephane Naze explained the work of Framestore on Deadpool 2. He then worked on Artemis Fowl and on the series His Dark...

Ian Fellows has more than 20 years of experience in visual effects. He has worked at many studios such as Framestore and MPC before...

Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

In 2013, Murray Barber told us about the work of Milk Visual Effects on DOCTOR WHO. He then worked on many shows such as EVEREST, HIGH RISE, FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD and ORIGIN.

Benjamin Loch began his career in visual effects in 2004 at Framestore. He works on many films like SHERLOCK HOLMES, 47 RONIN, FANTASTIC BEASTS...

Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.

In 2013, Sara Bennett explained the work of Milk Visual Effects on THE MISERABLES. She then worked on many films such as DRACULA UNTOLD, THE MARTIAN, FANTASTIC BEASTS AND WHERE TO FIND THEM, ASSASSIN'S CREED and ANNIHILATION. In 2016, she won the Oscar for Best Visual Effects for EX MACHINA.

James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD. Chris Lunney joined Nvizible in 2014. He has worked on many productions such as EDGE OF TOMORROW, JASON BOURNE, FANTASTIC BEASTS AND WHERE TO FIND THEM and THE COMMUTER.

Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10'000 BC, THE DARK KNIGHT, TERMINATOR GENISYS...