edge of tomorrow - résultats de la recherche

Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.

In 2014, Matt Kasmir explained to us about Nvizible's work on EDGE OF TOMORROW. He then worked on DRACULA UNTOLD and PADDINGTON. Today, he talks about his work on KINGSMAN - THE SECRET SERVICE.

Last year, Simon Stanley Clamp talked to us in details about the Cinesite's work on IRON MAN 3. He then supervised the visual effects of movies such as WORLD WAR Z, ROBOCOP and EDGE OF TOMORROW.

With over 20 years' experience in visual effects, Artemis Oikonomopoulou has worked in several studios including Framestore, DNEG and Cinesite. She has worked on...

In 2019, Pete Dionne explained the work made by MPC on Pokémon: Detective Pikachu. He then joined the teams of Method Studios in 2021...

Back in 2015, Dadi Einarsson explained the visual effects work on Everest. He then worked on several projects such as Trapped, Adrift and Hunters. Gavin...

Last year, Matt Kasmir explained to us in detail his work on the George Clooney's series, Catch-22. He is back today to tell us...

Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.

In 2014, Scott Farrar explained the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. He then took care of the effects of films like SELMA, 13 HOURS and TRANSFORMERS: THE LAST KNIGHT. Last year, Rick O'Connor told us about the animation work on TRANSFORMERS: THE LAST KNIGHT.