edge of tomorrow - résultats de la recherche

Merzin Tavaria co-founded Prime Focus World in 1995. He began his career as an editor. He then became VFX Supervisor and now holds the position of Chief Creative Officer at Prime Focus World.

From 8th to 9th July took place the 9th edition of Imaging the Future during the NIFFF in Switzerland. Since several years, I am proud to collaborate with the festival teams to offer guests and speakers from worldwide VFX studios.

The program and the speakers for this new edition of Imaging the Future are now known ! On July 9th, the day will start with...

According to The Hollywood Reporter, Sony Pictures Imageworks will move its headquarters to Vancouver in order to regroup everything in the same roof. For the...

Sony Pictures Imageworks have released a beautiful reel about their work over the last years with shots from THE AMAZING SPIDER-MAN 2, OZ THE...

In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.