dark shadows - résultats de la recherche

Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

In 2018, Adrian de Wet explained his work on THE MEG. He's back today with the post-apocalyptic Apple TV+ series, SEE: Eve Fizzinoglia began her career in visual effects in 2009 at Stargate Studios. She has worked on a many shows including CALIFORNICATION, HOUSE OF LIES, RAY DONOVAN and COLONY.

Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON. In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.

Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.

Last June, Brendan Taylor explained the work of Mavericks VFX on the TV series WHAT WE DO IN THE SHADOWS. He is coming back today to talk about Amazon Studios’ THE BOYS.

Last year Glenn Melenhorst explained the work of Method Studios on TOMB RAIDER. He then worked on CHRISTOPHER ROBIN.

Jörn Großhans started his career in visual effects in 2004. He worked at Pixomondo and Mackevision before joining Image Engine in 2018. He has worked on numerous shows such as SUCKER PUNCH, HUGO, THE SHANNARA CHRONICLES and GAME OF THRONES.

Loni Peristere is a TV series director (he won an Emmy Award) and is the co-founder of Zoic Studios. He has directed episodes for many series such as BANSHEE, OUTCAST, A SERIES OF UNFORTUNATE EVENTS and AMERICAN HORROR STORY. Nathan Overstrom started his career in visual effects in 2004 at Zoic Studios. He works on many projects like TERMINATOR: THE SARAH CONNOR CHRONICLES, THE GREY, NOAH and HOLD THE DARK.

In 2016, Steve Emerson explained Laika's work on KUBO AND THE TWO STRINGS. He talks to us today about MISSING LINK.

John Heller started his career in visual effects more than 20 years ago. He has worked in many studios like VIFX, Rhythm & Hues, Furious Effects and then he joined FuseFX in 2015. As a VFX Supervisor, he took care of the effects of projects such as RUSH HOUR, OUTSIDERS, THE LAST TYCOON and THE GOOD DOCTOR.