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Robert Legato has an impressive background in visual effects. He has worked on films such as Apollo 13, The Aviator, Avatar and The Lion...

Joanna Davison started her career in visual effects in 2005 at Framestore. She joined the Weta FX team in 2011. She has worked on...

Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

Back in 2019, Scott Edelstein explained Digital Domain's work on Avengers: Endgame. Today he returns to tell us about Free Guy. How did you and...

Romain Arnoux has more than 20 years of experience in visual effects. He has worked in many studios like Mac Guff Line, DNEG, Weta Digital, MELS and joined Framestore in 2017. He has worked on many films such as AVATAR, THE ADVENTURES OF TINTIN, JOHN CARTER and RACE.

Venti Hristova started her career in visual effects in 2006. She worked on many films such as SPEED RACER, TERMINATOR SALVATION, AVATAR and IRON MAN 2. As a VFX Supervisor, she took care of the effects of films like THE AVENGERS, IRON MAN 3, GUARDIANS OF THE GALAXY VOL. 2 and SPIDER-MAN: HOMECOMING.

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

Paul Story began his career in visual effects in 1996 at Weta Digital. He works on many films such as THE LORD OF THE RINGS trilogy, AVATAR, DAWN OF THE PLANET OF THE APES and THE JUNGLE BOOK.

Jason Billington worked in many studios such as Fuel, Meteor Studios, Digital Domain and ILM before joining Iloura (now Method Studios) in 2015. He has worked on films such as TRANSFORMERS, AVATAR, PACIFIC RIM and JURASSIC WORLD. As a VFX Supervisor, he took care of the effects of DEEPWATER HORIZON, PATRIOTS DAY and GHOST IN THE SHELL.

Merzin Tavaria co-founded Prime Focus World in 1995. He began his career as an editor. He then became VFX Supervisor and now holds the position of Chief Creative Officer at Prime Focus World.