A MOST VIOLENT YEAR - résultats de la recherche

Marcus Taormina began his visual effects career more than 10 years ago. He has worked on many movies like THE AMAZING SPIDER-MAN, FURY, TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS and BRIGHT.

In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

At the beginning of this year, Jason Billington had explained to us the work of Method Studios on BRIGHT. He talks to us today about his work on SKYSCRAPER.

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

Dan Glass has 25 years of experience in visual effects. As a VFX supervisor, he took care of the effects of many movies like THE MATRIX sequels, V FOR VENDETTA, THE TREE OF LIFE and JUPITER ASCENDING.

Stephane Paris explained the work of Cinesite on PIRATES OF THE CARIBBEAN: ON STRANGER TIDES in 2011. He then joins MPC to work on MAN OF STEEL, THE AMAZING SPIDER-MAN 2, EDGE OF TOMORROW, GUARDIANS OF THE GALAXY and INTO THE STORM. In 2014, he returned to Cinesite to oversee the effects of THE LAST WITCH HUNTER.

Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER'S WAR.

Fabio Zangla has more than 10 years experience in visual effects. He worked in numerous studios like MPC, Double Negative and Weta Digital before joining Framestore in 2016. His filmography includes projects such as AVATAR, HUGO, JOHN CARTER or INTERSTELLAR. Chris Zeh began his career in VFX in 2000. He worked at Cinesite, Rainmaker UK, Weta Digital and Framestore. His filmography is composed of many projects such as THE LORD OF THE RINGS: THE RETURN OF THE KING, THE GOLDEN COMPASS, THE DARK KNIGHT, GRAVITY or GUARDIANS OF THE GALAXY.

Erik Winquist has nearly 20 years of experience in visual effects and has worked at Weta Digital for 15 years. He has participated in many films such as THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, AVATAR, THE HOBBIT: AN UNEXPECTED JOURNEY and of course the APES trilogy.

Samir Hoon began his career in VFX at R/Greenberg Associates in 1993. He joined Industrial Light & Magic in 1995. He has worked on numerous projects such as TERMINATOR 3: RISE OF THE MACHINES, ERAGON, STAR TREK INTO DARKNESS or HITMAN: AGENT 47.