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During his last visit, Roger Guyett explained to us the work of ILM on COWBOYS & ALIENS. In 2013, he is back with director JJ Abrams on STAR TREK INTO DARKNESS. In addition to its Overall VFX Supervisor job position, he is the Second unit director as he was on the previous STAR TREK movie.

Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.

Last year, David Vickery explained the work of Double Negative on THE PIRATES! BAND OF MISFITS. This time he talks about crazy car chases, giant airplane and CG cars for FAST & FURIOUS 6.

During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.

Matt Dessero began his career in the VFX more than 15 years ago. He worked in many studios such as CFC, Sony Imageworks, ESC Entertainment and recently Method Studios. He has worked on films like AMERICAN BEAUTY, MATRIX REVOLUTIONS, WATCHMEN, ARGO or CLOUD ATLAS.

Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Here is my summary of FMX 2013. It was a great edition full of interesting conferences and meetings. See you in 2014.

Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

Dan Levitan began his career in visual effects at Cinesite Hollywood in 1994 and worked on films like WATERWORLD, GATTACA or PLEASANTVILLE. He then worked at Dream Quest Images, CIS Hollywood, Digital Dimension and Hammerhead. As VFX supervisor, he worked on movies such as SALT, THE HANGOVER PART II or FRIGHT NIGHT.

Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.