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The Visual Effects Society has announced the nominations for the 21th Annual VES Awards! The winners will be announced on February 15, 2023! Congratulations and...

John Mangia has been working in visual effects for 17 years. He has worked at many studios such as Brainstorm Digital, Sony Pictures Imageworks...

Last year, Chris Lawrence explained the visual effects work on The Midnight Sky. Now he's back to tell us about Framestore's work on the...

The Visual Effects Society has announced yesterday the nominations for the 20th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

The Visual Effects Society has announced yesterday the nominations for the 19th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

The Visual Effects Society have announced the nominees for the 18th Annual VES Awards! // Outstanding Visual Effects in a Photoreal Feature ALITA: BATTLE ANGEL Richard Hollander,...

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

Don't miss this nice prologue created by the teams of Glassworks for THE KID WHO WOULD BE KING: https://vimeo.com/348196602 THE KID WHO WOULD BE KID -...

In 2012, Raymond Chen explained the work of Rhythm & Hues on CHRONICLE. He then worked on WINTER'S TALE and then INTO THE STORM. In 2016, he joined DNEG and took care of the effects of films like STAR TREK BEYOND and THE MEG.

The Mill presents their work on this full CG commercial for TOP ELEVEN Football Manager: TOP ELEVEN "Road to Glory" - Commercial WANT TO KNOW MORE? The...