One Piece - résultats de la recherche

Roger Guyett explained the ILM's work on STAR WARS - THE FORCE AWAKENS in 2016. READY PLAYER ONE marks his new collaboration with director Steven Spielberg. In 2012, Grady Cofer told us about his work on BATTLESHIP. He then worked on many films such as LONE SURVIVOR, NOAH and TERMINATOR GENISYS.

Simone Kraus has more than 18 years of experience in animation and visual effects. She is the co-owner of Trixter and has worked on a large number of projects such as CLOUD ATLAS, THE AVENGERS, IRON MAN 3 and the CAPTAIN AMERICA trilogy. She is at the head of the Los Angeles office of Trixter. In 2016, Alessandro Cioffi told us about the Trixter's work on CAPTAIN AMERICA: CIVIL WAR. With Simone, they explains their work on the GUARDIANS OF THE GALAXY sequel.

Margaux Durand-Rival explained to us the work of The Third Floor on EDGE OF TOMORROW in 2014. She then worked on numerous projects such as DRACULA UNTOLD, PADDINGTON, EXODUS: GODS AND KINGS and MISSION IMPOSSIBLE: ROGUE NATION.

This summer, Hal Hickel told us about the ILM's animation work on WARCRAFT. He is back today to talk about ROGUE ONE: A STAR WARS STORY.

Last year, Sven Martin had explained to us in detail about the work of Pixomondo on BRIDGE OF SPIES. He talks today about the dragons for the season 6 of GAME OF THRONES. Be sure to watch the new making of about their work at the end of the interview!

In 2015, Glenn Melenhorst had told us about the work of Iloura on TED 2. He then worked on the TV miniseries CHILDHOOD'S END. His next project was GAME OF THRONES that he explains in detail today. And then he moved on GHOSTBUSTERS.

In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D. As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.

After explaining his work on the main titles for SNOW WHITE AND THE HUNTSMAN, Henry Hobson worked on the titles for the video game THE LAST OF US and started his studio Bootmaker Films. He is also preparing his first feature film.

Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.

After explaining the work of Spin VFX on the TV series THE BORGIAS, Doug Campbell has worked as a senior compositor on THE TWILIGHT SAGA: BREAKING DAWN - PART 2 and JACK REACHER. He now talks about his work on the third season of GAME OF THRONES.