One Piece - résultats de la recherche

Back in 2018, Andrew Whitehurst explained the visual effects work on Annihilation. He then worked on the Devs series before joining ILM in 2020. How...

Prior to joining Rising Sun Pictures in 2017, Julian Hutchens had worked at a various studios like Framestore. He has worked on a many...

In 2021, Joel Green explained the work done by DNEG on No Time To Die. He then joined the beloFX team and talks to...

One of Us is a Soho based studio founded in 2006 by co-directors Tom Debenham, Dominic Parker and Rachael Penfold. The company ethos is...

Louis Laflamme-Fillion has been working in visual effects for over 10 years. He has worked in many studios such as Mokko Studio, MPC, Fin...

In 2014, Martin Lipmann told us about Vision Globale (now MELS) work for Brick Mansions. He then joined the Rodeo FX teams in 2015...

Bruce Jones has been working in visual effects for over 25 years. He has worked on many films such as Red Planet, The Italian...

In 2013, Martin Hill explained to us the work of Weta Digital on THE WOLVERINE. He then worked on FURIOUS SEVEN, THE HUNGER GAMES: MOCKINGJAY - PART 2, CENTRAL INTELLIGENCE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and ANIMAL WORLD.

Lars Andersen began his visual effects career in 2011 at Cutting Edge. He works on many films such as I, FRANKENSTEIN, PREDESTINATION and THE AGE OF ADALINE. He joined One of Us in 2016 and takes care of the effects of films like LIFE and THE CURRENT WAR.

In 2013, Matthew Butler told us about Digital Domain's work on ENDER'S GAME. He then worked on PIXELS. He talks to us today about his first collaboration with director Steven Spielberg for READY PLAYER ONE. Few months ago, Scott Meadows, explained to us the work of pre-visualization of Digital Domain on BLACK PANTHER.