iron sky 2 - résultats de la recherche

Steve Begg began his career in special and visual effects there are more than 30 years ago in minitaures. SPECTRE is his fourth James Bond film (including 3 as VFX supervisor).

Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.

In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.

Pavani Rao began her career in visual effects in 2005 at The Orphanage. She then joins Rhythm & Hues and work on many films such as THE GOLDEN COMPASS or THE INCREDIBLE HULK. In 2009 she moved to Weta Digital to work on AVATAR. She then worked on RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and the HOBBIT trilogy.

Marten Larsson have joined Digital Domain in 2004 as technical director. He worked on many projects such as THE MUMMY: TOMB OF THE DRAGON EMPEROR, 2012, TRANSFORMERS: DARK OF THE MOON or ENDER'S GAME. He talks to us today about his experience as VFX Supervisor on PIXELS.

Stopsack Sheldon began his career in the visual effects in 2002 at Ambient Entertainment. He joined MPC in 2007 and worked on films such as CLASH OF THE TITANS, PROMETHEUS, SKYFALL or X-MEN: DAYS OF FUTURE PAST.

Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.

Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.

Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.

Ben Snow joined Industrial Light & Magic in 1994. He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II - ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH.