The Invisible Man - résultats de la recherche

More great speakers have been announced for View Conference 2017! Bill Westenhofer will talks about the VFX work on WONDER WOMAN. John Nelson will gives a...

In 2015, Adam Gascoyne explained to us the work of Union VFX on THE THEORY OF EVERYTHING. He then worked on many projects such as STEVE JOBS, THE PROGRAM or FLORENCE FOSTER JENKINS. Today, he talks to us about T2: TRAINSPOTTING, his new collaboration with director Danny Boyle.

At the end of last year, Sean Devereaux, had explained to us the work of Zero VFX on THE MAGNIFICENT SEVEN. He talks to us today about his work on the invisible effects of PATRIOTS DAY.

Tom Proctor began his career as a compositor on THE MATRIX at Manex Visual Effects. He worked in many studios such as Weta Digital, Evil Eye Pictures or Rising Sun Pictures before joining Double Negative in 2010.

Chris LeDoux began his career in visual effects as a compositor at The Orphanage in 2004. He then worked in numerous studios such as Uncharted Territory, Cafe FX or Scanline VFX. In 2011, he founded Crafty Apes with his brother Tim LeDoux and Jason Sanford. He has taken care of the effects of many films such as AVENGERS: AGE OF ULTRON, DOCTOR STRANGE and LA LA LAND.

Chris Godfrey has been working in visual effects for over 30 years. He co-founded Animal Logic with Zareh Nalbandian in 1991. He supervised the effects of many films such as BABE: PIG IN THE CITY, MOULIN ROUGE!, AUSTRALIA and THE GREAT GATSBY.

In 2015, Christian Irles explained in detail about the work of MPC on INTO THE WOODS. He then took care of the visual effects of PAN and MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN. He joined Cinesite in 2016 and worked on ASSASSIN'S CREED.

Mike Janov has been working in the visual effects for over 20 years. He has worked for many studios such as The Orphanage, Spy Post, Industrial Light & Magic and Atomic Fiction. As an Associate VFX Supervisor, he took care of the effects of SAN ANDREAS, GAME OF THRONES: SEASON 5 or DEADPOOL.

Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.

In 2011, Louis Morin explained to us about his work on SOURCE CODE. He then handles the visual effects for DARK HORSE, ON THE ROAD, BEAUTY AND THE BEAST and SICARIO. ARRIVAL is his second collaboration with director Denis Villeneuve.