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Nicholas Brooks have started his career in the VFX at Computer Film Company in London in 1989 and have worked on many various projects such as WHAT DREAMS MAY COME, BLADE II, NOW YOU SEE ME or LUCY.

The Senate have published their new showreel featuring their work on MALEFICENT, THE MONUMENTS MEN, DARK SHADOWS and many more: WANT TO KNOW MORE? DARK SHADOWS:...

In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.

Since his last visit here for CLOUD ATLAS, Florian Gellinger take care of the visual effects for Rise FX of films such as IRON MAN 3, THE BOOK THIEF, GUARDIANS OF THE GALAXY or AVENGERS: AGE OF ULTRON.

During his last appearance on The Art of VFX, Francois Dumoulin had explained in detail the work of Rodeo FX for LUCY. He then worked on CINDERELLA. Today he talks about the reboot of FANTASTIC FOUR.

Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.

Vincent Papaix started his career in the VFX in 2009 at Mikros Image. He then worked for several studios such as Method Studios, MPC or Digital Domain. He worked on many projects as THOR, IRON MAN 3, MALEFICENT or FURIOUS 7.

In 2013, Chris Harvey explained to us the work of Image Engine on ZERO DARK THIRTY. He then worked on FAST & FURIOUS 6 and R.I.P.D. Today, he talks about his work on CHAPPIE.

Here is the recap of my interviews of the week #10. So you won't miss any of them. THE SPONGEBOB MOVIE - SPONGE OUT OF...