shadow and bone - résultats de la recherche

Let's have a look at the variety of the work made by the teams of FuseFX on the fantasy Netflix series, Shadow and Bone: https://www.youtube.com/watch?v=uWV9JVZhgHs&ucbcb=1 WANT...

Let's go behind the scenes with the cast and crew of Shadow and Bone! https://www.youtube.com/watch?v=eRiASTGPCgg&ucbcb=1 The VFX are made by:Digital Makeup GroupDNEG (VFX Supervisors: Raphael Hamm...

Earlier this month, Bryan Hirota explained in detail the work done by Scanline VFX on Zack Snyder's Justice League. He's back to tell us...

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

Loni Peristere is a TV series director (he won an Emmy Award) and is the co-founder of Zoic Studios. He has directed episodes for many series such as BANSHEE, OUTCAST, A SERIES OF UNFORTUNATE EVENTS and AMERICAN HORROR STORY. Nathan Overstrom started his career in visual effects in 2004 at Zoic Studios. He works on many projects like TERMINATOR: THE SARAH CONNOR CHRONICLES, THE GREY, NOAH and HOLD THE DARK.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

Nicolas Hernandez co-founded Milk VFX in 2013. Before that he worked at Framestore and The Mill. He has worked on numerous projects such as SNOW WHITE AND THE HUNTSMAN, DREDD, 47 RONIN and many TV series such as DOCTOR WHO.

Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.

In 2019, Mohsen Mousavi gave us an insight into the visual effects work at Scanline VFX for the eighth season of Game of Thrones....

The Visual Effects Society has announced the nominations for the 22nd Annual VES Awards! The winners will be presented at the 22nd Annual VES...