oz great powerful - résultats de la recherche

Back in 2019, Christopher Townsend explained in detail the visual effects work for Captain Marvel. Today he returns to tell us about his...

Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

In 2017, Ivan Moran explained the work of Framestore on GHOST IN THE SHELL. He then worked on MOWGLI. He talks today about his work as Overall VFX Supervisor on the movie Netflix, PROJECT POWER.

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.

In the past year, Mohsen Mousavi explained the work of Scanline VFX on THE MEG. He is back today to tell us about his work on the final season of GAME OF THRONES.

Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.

Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10'000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.

Erik Winquist has nearly 20 years of experience in visual effects and has worked at Weta Digital for 15 years. He has participated in many films such as THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, AVATAR, THE HOBBIT: AN UNEXPECTED JOURNEY and of course the APES trilogy.

In 2013, Scott Stokdyk told us about the work of Sony Pictures Imageworks on OZ THE GREAT AND POWERFUL. He then took care of the visual effects of THE 5TH WAVE. Sophie Leclerc started her career in the visual effects at Tippett Studio. She has produced the visual effects of many films such as THE A-TEAM, FAST FIVE and UPSIDE DOWN. VALERIAN is her second collaboration with Luc Besson after LUCY.

Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.