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In 2013, Guy Williams explained to us about Weta Digital's work on THE HUNGER GAMES: CATCHING FIRE. Today he talks about his new collaboration with VFX supervisor Christopher Townsend, this time for GUARDIANS OF THE GALAXY VOL 2.

In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.

In 2013, Alex Pejic explained the work of Prime Focus on WHITE HOUSE DOWN. He then worked on HERCULES before joining Framestore in 2014. Kevin Spruce has worked at Framestore for over 15 years. His credits include THE CHRONICLES OF NARNIA: PRINCE CASPIAN, AUSTRALIA, WHERE THE WILD THINGS ARE and GUARDIANS OF THE GALAXY.

Adam Valdez talked to us in 2012 about the work of MPC on JOHN CARTER. Then he worked on WORLD WAR Z and MALEFICENT. Today, he explains in detail about the impressive work on THE JUNGLE BOOK.

Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.

n 2010, Simon Otto had explained in detail about his work at Dreamworks Animation on the first episode of HOW TO TRAIN YOUR DRAGON. He then worked on several shorts inspired by this film. He is now back with the second episode.

Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

Prior to founding One Of Us with Rachael Penfold in 2006, Tom Debenham and Dominic Parker worked at Framestore for many years. They participated in projects like MISSION IMPOSSIBLE II, CHICKEN RUN or RESIDENT EVIL. At One of Us, they have been working on THE TREE OF LIFE or MIRROR MIRROR.

Jeff Campbell returned to The Art of VFX to tell us about Spin VFX work for UNDERWORLD AWAKENING. He is joined by George Macri, VFX Producer, and Ahmed Shehata, CG Supervisor. They explain in detail their work on this film.