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The Visual Effects Society have announced the nominees for the 18th Annual VES Awards! // Outstanding Visual Effects in a Photoreal Feature ALITA: BATTLE ANGEL Richard Hollander,...

Brendan Seals is working at Luma Pictures since several years. He has worked on many films such as GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON, DEADPOOL and DOCTOR STRANGE.

Kyle McCulloch is in visual effects for over 15 years. He worked in many studios such as Curious Pictures, The Orphanage or ILM. He joined Framestore in 2009 and worked on films such as HARRY POTTER AND THE Deathly HALLOWS: PART 1 or GRAVITY. Mark Wilson began his career in the VFX in 1999 at Passion Pictures. Then he joined Framestore in 2006 and worked on films like AVATAR, LINCOLN or GRAVITY.

Westley Sarokin worked for 5 years as an Flame artist at a52. In 2005, he joined The Mill as Joint Head of 2D. In the following interview, he explains his work for the VFX supervision of the VIKINGS main title. He is, for it, accompanied by Danny Morris, Lead Flame Artist.

After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.

David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

After working several years at Mill Film on films such as BABE 2, GLADIATOR or LARA CROFT, Ben Morris joined Framestore in 2000 and participate on projects such as TROY, CHARLIE AND THE CHOCOLATE FACTORY and as visual effects supervisor on THE GOLDEN COMPASS and PRINCE OF PERSIA.

Marcus Taormina, who previously discussed the visual effects of Army of the Dead in 2021, now shares his insights into his latest collaboration with...

In 2019, Nigel Denton-Howes detailed Framestore's involvement in Alita: Battle Angel before embarking on new ventures at ReDefine and Eyeline Studios. After working on...

In 2020, Christian Kaestner explained the visual effects work made by Framestore on The Aeronauts. He then worked on Spider-Man: No Way Home. How did...