gravity - résultats de la recherche

Aleksandar Pejic has worked for many years at Double Negative and particularly on films such as BATMAN BEGINS, CHILDREN OF MEN, THE DARK KNIGHT or INCEPTION. He then joined Prime Focus and supervises the effects of TOTAL RECALL.

Olivier Cauwet is back on The Art of VFX. After explaining the challenges for SUR LA PISTE DU MARSUPILAMI, Olivier explains his work on the remake of TOTAL RECALL.

Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.

Olivier Dumont began his career in VFX there are over 10 years at Buf. He participated in projects such as HUMAN NATURE, MATRIX RELOADED, ALEXANDER or SPEED RACER. In 2009, he joined the teams of Method Studios and worked on films like THE SORCERER'S APPRENTICE, THE RITE or THE TREE OF LIFE. In the following interview, he discusses his work on WRATH OF THE TITANS.

After telling us about his work on THE ADJUSTMENT BUREAU, Mark Russell is back on The Art of VFX. He talks about his work on the film TOWER HEIST.

After telling us about his work on ABDUCTION, Greg Liegey is back on The Art of VFX to explain his work on TOWER HEIST.

David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.

Mark Russell began his career as a VFX producer. For several years he has produced the effects of many films like MINORITY REPORT, HELLBOY or THE ITALIAN JOB. He then became VFX supervisor for films such as SLEEP DEALER, DOUBT or CARRIERS.

Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.