kid who would be king - résultats de la recherche

Robin Hollander began his career in visual effects as a runner at MPC. He worked on many projects such as ALEXANDER or THE DA VINCI CODE. In 2007, he joined Weta Digital and participate in films like AVATAR, RISE OF THE PLANET OF THE APES and THE ADVENTURES OF TINTIN.

Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.

Wayne Brinton is evolving in the visual effects for over 10 years. Before joining Modus FX, he has worked at Hybride or Mr. X. He has participated in many projects such as SIN CITY, 300 SOURCE CODE or MIRROR MIRROR.

Max Ivins told us about the Look Effects work on CAPTAIN AMERICA some time ago. He is back on The Art of VFX to explain his work on LIFE OF PI.

Paul and Christina Graff are the founders of Crazy Horse Effects. Before that they worked on many projects at Digital Backlot such as THERE WILL BE BLOOD, THE AVIATOR or TROPIC THUNDER. In the following interview, they talk about their collaboration with director Oliver Stone.

Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.

Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.

Boris Schmidt joined Pixomondo in 1999 and worked on many projects such as 2012, THE LAST AIRBENDER or SUCKER PUNCH. For RED TAILS, he will be VFX Supervisor as well as for THE AMAZING SPIDER-MAN. He talks about the challenges faced on this show and the collaboration with Sony Pictures Imageworks.

Mark Breakspear has worked for over 20 years in visual effects for studios such as Digital Muse, Rainmaker or CIS Vancouver. He participated in many TV series like STAR TREK VOYAGER or STARGATE ATLANTIS as well as films like THE DA VINCI CODE, LIVE FREE OR DIE HARD, SALT or THE GREEN HORNET.

Olivier Dumont began his career in VFX there are over 10 years at Buf. He participated in projects such as HUMAN NATURE, MATRIX RELOADED, ALEXANDER or SPEED RACER. In 2009, he joined the teams of Method Studios and worked on films like THE SORCERER'S APPRENTICE, THE RITE or THE TREE OF LIFE. In the following interview, he discusses his work on WRATH OF THE TITANS.