After Earth - résultats de la recherche

Mikael Damant-Sirois began working at Meteor Studio on projects such as JOURNEY TO THE CENTER OF THE EARTH or TV series CRUSOE. He joined Rodeo FX in 2012 and worked on films like RED TAILS, MIRROR MIRROR or THE TWILIGHT SAGA: BREAKING DAWN - PART 2.

Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

Robin Hollander began his career in visual effects as a runner at MPC. He worked on many projects such as ALEXANDER or THE DA VINCI CODE. In 2007, he joined Weta Digital and participate in films like AVATAR, RISE OF THE PLANET OF THE APES and THE ADVENTURES OF TINTIN.

Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.

Eric Saindon began working in visual effects at Santa Barbara Studios on STAR TREK INSURRECTION and SUPERNOVA. In 2000, he joined Weta Digital to work on the LORD OF THE RINGS trilogy. Then he worked on projects such as I ROBOT, KING KONG or AVATAR.

Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.

When Michel Mielke joined Scanline in 2004, he first worked as a producer on such films as THE CHRONICLES OF NARNIA: PRINCE CASPIAN, 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or THE AVENGERS. In the following interview, he talks about his work as VFX Supervisor on LOOPER.

After explaining the MPC work on PROMETHEUS, Charley Henley is back on The Art of VFX. It details his work on TOTAL RECALL.

Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.