jurassic world - résultats de la recherche

Jelmer Boskma worked in many studios such as Frantic Films, Image Engine or MPC before joining Scanline VFX in 2015. His filmography includes films like WATCHMEN, DISTRICT 9, SIN CITY: A DAME TO KILL FOR or BATMAN V SUPERMAN: DAWN OF JUSTICE.

Seth Hill joined Atomic Fiction in 2013 as a matte painter. He has worked on films such as TRANSFORMERS: AGE OF EXTINCTION, GAME OF THRONES or THE WALK. He became Environment Supervisor on DEADPOOL.

Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.

Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.

Sven Martin began his career in visual effects in 2001 as a compositor. In 2008, he joined Pixomondo and worked on films such as SUCKER PUNCH, HUGO, THE HUNGER GAMES or STAR TREK INTO DARKNESS. He won three VES Awards and two Emmy Awards for his work on GAME OF THRONES.

Here is the recap of my interviews of the week #20. So you won't miss any of them. AVENGERS - AGE OF ULTRON: Ben Snow...

Ben Snow joined Industrial Light & Magic in 1994. He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II - ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH.

Christian Irles is working in visual effects for over 12 years. He worked at various studios such as Klon Films, Cinesite or MPC. His filmography includes films like POSEIDON, CLASH OF THE TITANS, JOHN CARTER or MAN OF STEEL.

Before joining ILM in 2003, Richard Bluff worked at Revolution Software and Blur. At ILM, he worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS, IRON MAN or THE AVENGERS.

Rick O'Connor began his career in the visual effects at ILM more than 15 years ago with STAR WARS: EPISODE I - THE PHANTOM MENACE. He then worked on films such as VAN HELSING, WAR OF THE WORLDS, all the TRANSFORMERS films or STAR TREK.