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CONTRABAND: Dadi Einarsson – VFX Supervisor – Framestore Iceland

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Dadi Einarsson has over 20 years experience in the VFX. He started in Iceland before moving to London and New York. He has worked at The Mill and Framestore for projects like AUSTRALIA, SHERLOCK HOLMES or CLASH OF THE TITANS. In 2008, he returned to Iceland and founded Framestore Iceland.

MIRROR MIRROR: Stuart Lashley – VFX Supervisor – Prime Focus

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Stuart Lashley began his career 10 years ago at MPC and works on projects such as TROY, SUNSHINE or WATCHMEN. In 2010, he joined Prime Focus teams. In the following interview, he discusses his work on MIRROR MIRROR.

THE ADVENTURES OF TINTIN: Matt Aitken – VFX Supervisor – Weta...

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Matt Aitken joined Weta Digital just after its creation in 1994. He participated in all major projects of the studio as THE FRIGHTENERS, the LORD OF THE RINGS trilogy, I ROBOT, KING KONG or AVATAR. He won two VES Awards for KING KONG and THE LORD OF THE RINGS: THE TWO TOWERS. In the following interview, he talks about his work on THE ADVENTURES OF TINTIN.

WELCOME TO HOXFORD: Sirius Buisson – Production VFX Supervisor

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After working on the animated series POLLUX in 2007, Sirius Buisson joined the teams of Buf Compagnie where he worked on projects such as SPEED RACER, AVATAR or THOR. He was also on set VFX supervisor for ADÈLE BLANC-SEC. He has joined MPC to work on WRATH OF THE TITANS. In the following interview, he talks about his work as supervisor of the short film WELCOME TO HOXFORD.

CHICKEN WITH PLUMS: Damien Stumpf – VFX Supervisor & Co-founder –...

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After graduating from Supinfocom, Damien Stumpf joined BUF and work on projects such as ARTHUR AND THE INVISIBLES, ENTER THE VOID or SOLOMON KANE. In 2009, he founded L'Atelier VFX with Antoine Marbach and Christophe Beaucarne. In the following interview, Damien talks about his work on CHICKEN WITH PLUMS.

BOARDWALK EMPIRE: Justin Ball – VFX Supervisor – Brainstorm Digital

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After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.

THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...

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Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.

HARRY POTTER AND THE DEATHLY HALLOW Part 1: Holger Voss –...

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After working several years with H5B5 and FrameFx, Holger Voss joined Cinesite in 2003 where he worked on a wide variety of projects for film such as THE GOLDEN COMPASS, MOON or V FOR VENDETTA but also on TV series like GENERATION KILL.