The Kid Who Would Be King - résultats de la recherche

Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.

Lars Andersen began his visual effects career in 2011 at Cutting Edge. He works on many films such as I, FRANKENSTEIN, PREDESTINATION and THE AGE OF ADALINE. He joined One of Us in 2016 and takes care of the effects of films like LIFE and THE CURRENT WAR.

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

Oliver Schulz began his career in visual effects in 2011 at RISE. He has worked on many films such as CLOUD ATLAS, THE MAN FROM U.N.C.L.E., DOCTOR STRANGE and BLACK PANTHER.

Andrew Whitehurst began his visual effects career at Electric Image in 1998. He joined Framestore in 2003. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.

Hugues Namur is working in visual effects for more than 20 years. He is VFX Supervisor at Mikros Image since 2002 and has taken care of the visual effects of films such as ASTERIX AT THE OLYMPIC GAMES, PARIS 36, THE BURMA CONSPIRACY and CHOCOLAT.

John Nelson supervised the visual effects of more than 20 movies such as IN THE LINE OF FIRE, THE MATRIX RELOADED, I ROBOT and IRON MAN. He won an Academy Award for Best Achievement in Visual Effects for GLADIATOR.

In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.

The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.

In 2014, Anthony Smith told us about the Framestore's work on PADDINGTON. He then joined Rising Sun Pictures and worked on many films such as X-MEN: APOCALYPSE, GAME OF THRONES and LOGAN.