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Before joining Framestore, Mike Mulholland worked at Cinesite on projects such as LARA CROFT: TOMB RAIDER and the TV series BAND OF BROTHERS then at ESC Entertainment for CATWOMAN. At Framestore, Mike has participated on films like AVATAR, CLASH OF THE TITANTS or WHERE THE WILD THINGS ARE. In the following interview, Mike accompanied by Ben Morris (VFX Supervisor) and Duncan Burbidge (VFX Producer) talk about their work on WAR HORSE.

Hans Uhlig has worked for over 9 years at ILM on such films as STAR WARS EPISODE 1: THE PHANTOM MENACE, THE PERFECT STORM or MASTER AND COMMANDER. Then in 2007 he founded Polygon Entertainment. In the following interview, Hans discusses his work on THE DARKEST HOUR.

Jeff Campbell returned to The Art of VFX to tell us about Spin VFX work for UNDERWORLD AWAKENING. He is joined by George Macri, VFX Producer, and Ahmed Shehata, CG Supervisor. They explain in detail their work on this film.

Charlie Iturriaga is back on The Art of VFX. THE GIRL WITH THE DRAGON TATTOO is the fourth collaboration between David Fincher and Ollin Studio. In the following interview, Charlie explains the invisible effects studio that created them, including an impressive number of computer screens.

After explaining his work on CAPTAIN AMERICA, Dave Morley is back on The Art of VFX. In this new interview, he tells us his work on MISSION IMPOSSIBLE: GHOST PROTOCOL. This film is the second collaboration of Fuel VFX with ILM.

Kaj Steveman worked for over 30 years in the movie business. He started as a SFX makeup. There is 11 years old, he founded the studio Fido. Kaj has since overseen the effects of many films including FROSTBITTEN, LET THE RIGHT ONE IN or HOTELL GYLLENE KNORREN - FILMEN. In the following interview, he discusses his work on UNDERWORLD: AWAKENING.

Sirio Quintavalle started as a trainee at Framestore almost 15 years ago. He has worked on films like LOST IN SPACE, THE GOLDEN COMPASS, THE DARK KNIGHT or CLASH OF THE TITANS. In the following interview, he talks about his work on SHERLOCK HOLMES: A GAME OF SHADOWS.

Dmitry Tokoyakov began his career as a compositor and rose through the ranks to become VFX Supervisor. He worked many years at Bazelevs and oversaw the effects of movies like WANTED or APOLLO 18. In the following interview, Dmitry talks about his work on THE DARKEST HOUR.

Prior to joining MPC Vancouver, Seth Maury has worked for studios like Warner Digital Studios, Cinesite and Sony Pictures Imageworks. His career counts films like HOLLOW MAN, BIG FISH, SPIDERMAN 2 or ALICE IN WONDERLAND. In the following interview, Seth talks about his work on SHERLOCK HOLMES: A GAME OF SHADOWS.

Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.