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In 2017, Nikos Kalaitzidis had explained the work of Digital Domain on THE FATE OF THE FURIOUS. He then worked on SPIDER-MAN: HOMECOMING, A WRINKLE IN TIME and SHADOW. Joel Behrens began his visual effects career in 2002 at Asylum Visual Effects. Then he worked at Digital Domain, Industrial Light & Magic, ESC Entertainment and Weta Digital. He returned to Digital Domain in 2006. He has worked on many films such as TRANSFORMERS: REVENGE OF THE FALLEN, THOR, ENDER'S GAME and READY PLAYER ONE.

Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...

Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.

In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.

In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

Nick Crew began his career in visual effects in 2003. He worked on films such as G.I. JOE: RISE OF COBRA and PERCY JACKSON AND THE OLYMPIANS: THE LIGHTNING THIEF. He joined Scanline VFX in 2010 and works on HEREAFTER, BATTLESHIP, FURIOUS 7 and BATMAN V SUPERMAN: DAWN OF JUSTICE.

In 2016, Bryan Grill explained the work of Scanline VFX on INDEPENDENCE DAY: RESURGENCE. He then worked on POWER RANGERS. He returns to the Marvel universe with BLACK PANTHER.

In 2016, Glenn Melenhorst explained the Iloura's work on the 6th season of GAME OF THRONES. He then worked on the 7th season and on OUTCAST and JOHN WICK: CHAPTER 2.

Last July, Kevin Souls explained to us about the work of Luma Pictures on SPIDER-MAN: HOMECOMING. Raphael A. Pimentel has been working for nearly 14 years at Luma Pictures. He has participated in films such as HANCOCK, X: FIRST CLASS, THE AVENGERS and GUARDIANS OF THE GALAXY.

Rudy Grossmann has nearly 20 years of experience in the visual effects. He has worked in many studios such as Industrial Light & Magic, The Orphanage, Weta Digital or Digital Domain before joining Atomic Fiction in 2014. At Atomic Fiction, he has worked on different movies such as THE WALK, DEADPOOL or ALIEN: COVENANT.