Carnival Row – Season 2: Aladino Debert – VFX Supervisor –...

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Aladino Debert is working at Digital Domain for over 13 years. His filmography contains projects like Black Sails, A Series of Unfortunate Events, Lost...

1899: Christian Kaestner – VFX Supervisor – Framestore

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In 2020, Christian Kaestner explained the visual effects work made by Framestore on The Aeronauts. He then worked on Spider-Man: No Way Home. How did...

JOHN CARTER: Adam Valdez – VFX Supervisor – MPC

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Last year, Adam Valdez speaks to us about the effects of MPC for THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER. This time, he explains his work on JOHN CARTER.

ANT-MAN AND THE WASP: Jelmer Boskma – VFX Supervisor – Scanline...

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In 2017, Jelmer Boskma explained the work of Scanline VFX on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on ANT-MAN AND THE WASP.

RUST & BONE: Cedric Fayolle – VFX Supervisor – Mikros Image

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Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.

Mission: Impossible – Dead Reckoning Part One: Alex Wuttke – Production...

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Back in 2018, Alex Wuttke provided insight into ILM's visual effects work on Jurassic World: Fallen Kingdom. His journey continued with Six Minutes to...

Transformers – Rise of the Beasts: Matt Aitken (Overall VFX Supervisor),...

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In 2021, Matt Aitken explained to us the work done by Weta FX on Eternals. He's back today to talk to us about Transformers:...

The Woman King: Sara Bennett – Overall VFX Supervisor – Milk...

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In 2020, Sara Bennett explained the visual effects work for the Netflix film, The Old Guard. She's back today to tell us about The...

LINCOLN: Ben Morris – VFX Supervisor – Framestore

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LINCOLN is the second collaboration of Ben Morris with Steven Spielberg after WAR HORSE. In the following interview, he explains his work at Framestore on this film.

GRABBERS: Paddy Eason – VFX Supervisor – Nvizible

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Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.