Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such ...

In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, ...

In 2017, Jessica Norman explained the work of MPC on WONDER WOMAN. She talks to us today about her work on MALEFICENT: MISTRESS OF EVIL.

In 2018, Peter Eszenyi explained the work of Territory Studio on PACIFIC RIM: UPRISING. He then worked on JOHNNY ENGLISH STRIKES AGAIN and BLACK MIRROR. He talks to us today about his work on the ...

In 2018, Jay Barton explained the work of Digital Domain on AQUAMAN. He talks to us today about his work on TERMINATOR: DARK FATE.

Oliver Atherton began his career in visual effects in 2002 at DNEG. He works on many films like KICK ASS, MAN OF STEEL, INTERSTELLAR and HOSTILES.

In 2017, Olivier Dumont explained the work of Method Studios on KING ARTHUR - LEGEND OF THE SWORD. He then worked on THE NEW MUTANTS.

In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on ...

In April 2019, Tim Miller told us about his work on LOVE, DEATH & ROBOTS. Today, he talks about the challenges of his new film, TERMINATOR: DARK FATE.