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After working at Mill Film for HARRY POTTER AND THE CHAMBER OF SECRETS, Ged Wright joined Double Negative in 2002 and works on HARRY POTTER AND THE GOBLET OF FIRE, HARRY POTTER AND THE ORDER OF THE PHENIX or 10,000 BC. He has just finished overseeing IRON MAN 2.
Danny Yount started as an self-taught designer and creates film credits in Prologue Films for projects such as IRON MAN or ROCKnROLLA. In the following interview, he talks about his work on IRON MAN 2.
Sony Pictures Imageworks purposes a new breakdown of their work on THE AMAZING SPIDER-MAN 2. This time it's about the environment work on Times Square: ©...
In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.
Wayne England has been working in visual effects for over 25 years. He has worked on projects such as 2012, CASTLE ROCK, AMERICAN HORROR STORY and WATCHMEN.
Last year Stephan Fleet explained to us in detail his work on the first season of THE BOYS. He is back today to tell us about the new season and its challenges.
Rodeo FX presents their creatures and environments work on JUMANJI - THE NEXT LEVEL: https://www.youtube.com/watch?v=dN4RptzZeVY © Vincent Frei – The Art of VFX – 2020
In 2013, Jeff Campbell explained the work of Spin VFX on AFTER EARTH. He then worked on many shows including GAME OF THRONES, JOHN WICK, FEAR THE WALKING DEAD and THE SHANNARA CHRONICLES.
In 2019, Everett Burrell had explained to us his work on the 1st season of THE UMBRELLA ACADEMY. He is back today to tell us about the new season of this particular family.
The nominations have been announced for the 72nd Emmy Awards! Here are the list for the Special Visual Effects: OUTSTANDING SPECIAL VISUAL EFFECTS Lost In Space -...