The team of Framestore, composed of VFX Supervisors Mark Wilson and Jonathan Fawkner together with CG Supervisor Alexis Wajsbrot, talks about the challenges of this new production Marvel, DOCTOR STRANGE.
In 2014, Richard Bluff explained to us about the work of ILM on LUCY. He then worked on UNBROKEN, AGENT CARTER and THE BIG SHORT. He's now back in the Marvel universe with DOCTOR STRANGE.
Jelmer Boskma worked in many studios such as Frantic Films, Image Engine or MPC before joining Scanline VFX in 2015. His filmography includes films like WATCHMEN, DISTRICT 9, SIN CITY: A DAME TO KILL FOR ...
Daniel Tarmy worked in many studios like Digital Domain and Sony Pictures Imageworks before joining MPC for PROMETHEUS. He worked on many projects such as WORLD WAR Z, 47 RONIN, GOOSEBUMPS or THE FINEST HOURS.
Sean Devereaux founded Zero VFX with Brian Drewes in 2010. THE MAGNIFICENT SEVEN is his third collaboration with director Antoine Fuqua.
In 2013, Frazer Churchill explained to us about the work of Double Negative on THE WORLD'S END. He then became independent VFX supervisor and works with the legendary film director Tim Burton.
Steve Emerson worked at Rainmaker Entertainment Inc and IMAX before joining LAIKA in 2008 as 2D supervisor on CORALINE. He then worked on PARANORMAN and THE BOXTROLLS.
In 2015, Craig Hammack told us about the work of Industrial Light & Magic on TOMORROWLAND. After BATTLESHIP, DEEPWATER HORIZON marks his second collaboration with director Peter Berg.
Before joining Weta Digital in 2003, Jamie Beard worked at Framestore and MPC. At Weta, Jamie worked on THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, THE ADVENTURES OF TINTIN or ...
Pierre Raymond is a true pioneer in the visual effects industry with over 35 years of experience. In 1991, he founded with Sylvie Talbot, Daniel Leduc and Michel Murdock: Hybride Technologies, the first company specializing ...