The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.
In 2012, Gary Brozenich explained to us about the work of MPC on WRATH OF THE TITANS. He then took care of the visual effects on THE LONE RANGER, EDGE OF TOMORROW and TERMINATOR GENISYS. ...
Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such ...
In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.
In 2014, Anthony Smith told us about the Framestore's work on PADDINGTON. He then joined Rising Sun Pictures and worked on many films such as X-MEN: APOCALYPSE, GAME OF THRONES and LOGAN.
In 2012, Olivier Dumont explained to us the work of Method Studios on WRATH OF THE TITANS. He then worked on many films such as GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON, BATMAN V ...
A few weeks ago, Christian Kaestner and Stuart Penn had explained to us the work of Framestore on ALIEN: COVENANT. They are back today to tell us about Guy Ritchie's new film, KING ARTHUR: LEGEND ...
In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.
In 2012, Paul Butterworth explained to us the work of Fuel VFX on PROMETHEUS. He then worked on IRON MAN 3, THE HUNGER GAMES: CATCHING FIRE and X-MEN: DAYS OF FUTURE PAST. In 2014, Fuel ...
Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work ...