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Jay Randall is back on The Art of VFX after he had explained his work on IMMORTALS. This time, he tells us the challenges on this new collaboration with director Tarsem and its MIRROR MIRROR.
Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.
Martin Pelletier began his career in the VFX almost 10 years ago. Before joining the teams of Modus FX, Martin worked at Hybride and Buzz Image Group and participated in projects like ETERNAL SUNSHINE OF THE SPOTLESS MIND, SIN CITY or 300. At Modus, he oversaw the CG for project such as SUPER or SOURCE CODE. In the following interview, he discusses his work on MIRROR MIRROR.
Stuart Lashley began his career 10 years ago at MPC and works on projects such as TROY, SUNSHINE or WATCHMEN. In 2010, he joined Prime Focus teams. In the following interview, he discusses his work on MIRROR MIRROR.
Come have a look at the work of DNEG TV on the terrifying robot of METALHEAD from the fourth season of BLACK MIRROR: WANT TO...
In 2012, Martin Pelletier explained the work of Modus FX on MIRROR MIRROR. He joined Rodeo FX in 2014 and became the Head of Studio for their Quebec City office. As a VFX Supervisor, he took care of the effects of projects such as FEAR THE WALKING DEAD, DEATH WISH, KRYPTON and THE WALKING DEAD.
Arnaud Brisebois began his career in visual effects in 2003. Before joining Rodeo FX in 2014, he worked at Meteor Studios and Mokko Studio. He has worked on many projects such as 300, MIRROR MIRROR, RIDDICK or X-MEN: DAYS OF FUTURE PAST. As VFX Supervisor, he took care of the effects of WARCRAFT, GODS OF EGYPT, MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN and ARRIVAL.
Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.
Laurent Taillefer worked for more than 10 years in visual effects. He worked in France especially at Mikros Image then went to Montreal. He worked for several studios such as New Breed Vfx, Vision Globale or Mokko Studio and participated in projects like PIRANHA 3D, MIRROR MIRROR or ASTERIX AND OBELIX: GOD SAVE BRITANNIA.
Alain Lachance has over 20 years of experience in visual effects. He began as an artist Flame at Mokko Studio and worked on films like Silent Hill or THE FOUNTAIN. As VFX supervisor, he took care of the visual effects for films such as MR. MAGORIUM'S WONDER EMPORIUM, UNDERWORLD: AWAKENING or MIRROR MIRROR.