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Jay Randall is back on The Art of VFX after he had explained his work on IMMORTALS. This time, he tells us the challenges on this new collaboration with director Tarsem and its MIRROR MIRROR.

Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.

Martin Pelletier began his career in the VFX almost 10 years ago. Before joining the teams of Modus FX, Martin worked at Hybride and Buzz Image Group and participated in projects like ETERNAL SUNSHINE OF THE SPOTLESS MIND, SIN CITY or 300. At Modus, he oversaw the CG for project such as SUPER or SOURCE CODE. In the following interview, he discusses his work on MIRROR MIRROR.

Stuart Lashley began his career 10 years ago at MPC and works on projects such as TROY, SUNSHINE or WATCHMEN. In 2010, he joined Prime Focus teams. In the following interview, he discusses his work on MIRROR MIRROR.

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Let's have a trip into space with the teams of Ingenuity Studios with their VFX Breakdown showing their work on the sixth season of...

The teams of the London based studio NVIZ present their VFX and Motion Graphics work made for the sixth season of the Netflix series,...

Let's have a look at the work made by the teams of Goodbye Kansas Studios on the episode Demon 79 from the sixth season...

Let's discover the environments and creatures work made by the Barcelona based studio Lamppost on the Netflix series, The Girl in the Mirror (click...

Let's have a look at the variety of the work made by the Spain based studio El Ranchito on the Netflix series, The Girl...