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Miklos Kozary worked for studios like Mr. X or Pixomondo and participated in movies like SHOOT 'EM UP, VALKYRIE or NINJA ASSASSIN. In 2008, he co-founded Elefant Studios and made the effects of films such as CARGO, or HELL. In the following interview, Miklos talks about his work on WE ARE THE NIGHT.

John Dysktra is a pioneer in visual effects. He is responsible for the creation of Industrial Light & Magic, he has won two Best Visual Effects Academy Awards for STAR WARS and SPIDER-MAN 2. He developed also the first computer-controlled motion control system called the Dykstraflex, which earned him an Scientific and Engineering Award. Her career includes movies such as STAR TREK: THE MOTION PICTURE, FIREFOX, BATMAN FOREVER, SPIDER-MAN 1 & 2 and HANCOCK.

After he has discussed about his work on THE GREEN HORNET, Greg Oehler is back on The Art of VFX and explains his work on the new Jack Sparrow adventure, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES.

Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.

Dan Schrecker has worked on all the movies of Darren Aronofsky's from PI to BLACK SWAN. He also worked on films such as THE DARJEELING LIMITED, ACROSS THE UNIVERSE or LAW ABIDING CITIZEN and the TV serie THE SOPRANOS. In 2008, he joined the staff of Look Effects.

After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.

Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.

After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.

After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.