a wrinkle in time - résultats de la recherche

Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche

A WRINKLE IN TIME

0
Brand new trailer for A WRINKLE IN TIME: The VFX are made by: MPC (VFX Supervisors: Pete Dionne & Blaine Lougheed) ILM (VFX Supervisor: Mark Curtis) Luma Pictures...

Carnival Row – Season 2: Aladino Debert – VFX Supervisor –...

0
Aladino Debert is working at Digital Domain for over 13 years. His filmography contains projects like Black Sails, A Series of Unfortunate Events, Lost...

House of the Dragon: Sven Martin – VFX Supervisor – Pixomondo

0
In 2021, Sven Martin explained the visual effects work made by Pixomondo on Without Remorse. He then worked on Help, I Shrunk My Friends...

Godzilla vs Kong: Bryan Hirota (VFX Supervisor) with Chris Mulcaster (CG...

0
Earlier this month, Bryan Hirota explained in detail the work done by Scanline VFX on Zack Snyder's Justice League. He's back to tell us...

LOST IN SPACE – Season 2: Jabbar Raisani (Overall VFX Supervisor)...

1
Jabbar Raisani has been working in visual effects for over 17 years. He has worked on projects such as FANTASTIC FOUR, PREDATORS, MACHETE and GAME OF THRONES. Terron Pratt began his career in VFX in 2003 at Digiscope. He has worked on numerous projects such as PUSHING DAISIES, SNOW WHITE AND THE HUNTSMAN, 300: RISE OF AN EMPIRE and BLACK SAILS.

THE IRISHMAN: Pablo Helman (Overall VFX Supervisor), Leandro Estebecoena, Nelson Sepulveda,...

0
In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

THE LION KING: Elliot Newman – VFX Supervisor – MPC

0
Elliot Newman began his career in visual effects in 2002 and joined MPC in 2004. He worked on many films such as PROMETHEUS, WORLD WAR Z, 300: RISE OF AN EMPIRE and THE JUNGLE BOOK.

SPIDER-MAN – FAR FROM HOME: Julian Foddy – VFX Supervisor –...

0
Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

AVENGERS – ENDGAME: Russell Earl (VFX Supervisor) with Dan Snape (VFX...

1
Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.

ALITA – BATTLE ANGEL: Eric Saindon (VFX Supervisor) & Mike Cozens...

3
In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.