Tag: Weta Digital

Eric Saindon began working in visual effects at Santa Barbara Studios on STAR TREK INSURRECTION and SUPERNOVA. In 2000, he joined Weta Digital to work on the LORD OF THE RINGS trilogy. Then he worked on projects such as I ROBOT, KING KONG or AVATAR.

Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.

Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.

Matt Aitken joined Weta Digital just after its creation in 1994. He participated in all major projects of the studio as THE FRIGHTENERS, the LORD OF THE RINGS trilogy, I ROBOT, KING KONG or AVATAR. He won two VES Awards for KING KONG and THE LORD OF THE RINGS: THE TWO TOWERS. In the following interview, he talks about his work on THE ADVENTURES OF TINTIN.

Dan Lemmon began his career with TERMINATOR 2 3-D at Digital Domain. At the same place, he will also work on TITANIC, FIGHT CLUB or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will work on two other THE LORD OF THE RINGS films at Weta Digital. In 2007, he is VFX supervisor for 30 DAYS OF NIGHT. Then follow up with ENCHANTED, JUMPER and AVATAR.

Evolving for more than 10 years in the French and European postproduction, Hassan El Youbi worked in the most part of the Parisian studios as Mac Guff, Sparx or Duboi. He joins the teams of Weta Digital in summer 2008 for AVATAR.