Tag: VFX Supervisor

THE TWILIGHT SAGA: BREAKING DAWN – PART 2 : Eric Leven...

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Eric Leven began his career in VFX and at Tippett Studio on STARSHIP TROOPERS. He has participated in many projects such as ARMAGGEDON or HOLLOW MAN. As VFX supervisor, he took care of movies like CLOVERFIELD, SEASON OF THE WITCH or THE TWILIGHT SAGA: ECLIPSE.

END OF WATCH: Adam Avitabile – VFX Supervisor – Look Effects

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Adam Avitabile has explained to us the visual effects of Look Effects on the season finale of LOST. Then he worked on projects like LIMITLESS, FAST FIVE or THE MUPPETS.

SKYFALL: Arundi Asregadoo – VFX Supervisor – MPC

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Arundi Asregadoo is back on The Art of VFX. After he had talked about the effects on DARK SHADOWS, he explains the work of MPC on the final sequence of SKYFALL.

SKYFALL: Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin...

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Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.

LOOPER: Michel Mielke – VFX Supervisor – Scanline VFX

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When Michel Mielke joined Scanline in 2004, he first worked as a producer on such films as THE CHRONICLES OF NARNIA: PRINCE CASPIAN, 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or THE AVENGERS. In the following interview, he talks about his work as VFX Supervisor on LOOPER.

LOOPER: Ryan Tudhope – Co-Founder & VFX Supervisor – Atomic Fiction

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Ryan Tudhope worked for The Orphanage and ImageMovers Digital on projects like HELLBOY, SIN CITY, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or MARS NEEDS MOMS. In 2011, he founded Atomic Fiction with Kevin Baillie and supervises the effects of films like JACK AND JILL and UNDERWORLD AWAKENING.

SAVAGES: Paul & Christina Graff – VFX Supervisor & VFX Producer...

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Paul and Christina Graff are the founders of Crazy Horse Effects. Before that they worked on many projects at Digital Backlot such as THERE WILL BE BLOOD, THE AVIATOR or TROPIC THUNDER. In the following interview, they talk about their collaboration with director Oliver Stone.

DARK SHADOWS: Anton Yri – VFX Supervisor – The Senate VFX

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Anton Yri began working in the VFX on BATMAN BEGINS at The Senate VFX in 2005. It has since remained in the studio and has participated in numerous films like THE DA VINCI CODE, HELLBOY II: THE GOLDEN ARMY or KICK ASS and also on TV shows like ROME, FLASH FORWARD or LUTHER.

DREDD: Rudi Holzapfel – VFX Supervisor – Baseblack

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Rudi Holzapfel is back to science fiction (he had talked about his work on TOTAL RECALL) and to The Art of VFX. In the following interview, he talks about the challenge of creating the slow-motion effects on DREDD.

DREDD: Jon Thum – VFX Supervisor – Prime Focus World

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Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.