Tag: VFX Supervisor

A few months ago, Nikos Kalaitzidis explained the work of Digital Domain on ANT-MAN AND THE WASP. He talks to us today about his work on SHADOW.

In 2015, Paul Franklin talked to us about DNEG's work on INTERSTELLAR. He then worked on MISSION: IMPOSSIBLE - ROGUE NATION, THE ONES BELOW, CAPTAIN AMERICA: CIVIL WAR, BLADE RUNNER 2049 and FIRST MAN.

Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.

Doi Atsushi began his career in the visual effects in 1997 at Digital Frontier. He has worked on many films such as DEATH NOTE, GANTZ, I AM A HERO and INUYASHIKI.

José Manuel Weil started his career in visual effects in 2007 at Scanline VFX. He worked on 2012, THE AVENGERS, CLOUD ATLAS and SNOWPIERCER. As a VFX supervisor, he took care of the effects of movies like POINT BREAK, THE SHALLOWS and ROGUE ONE: A STAR WARS STORY.

Yifu Zhou joined Digital Domain in 2013. He has worked on many commercials and also on MALEFICENT. He serves as Visual Effects Supervisor & VP and Head of Studio for Digital Domain Beijing.

In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.

In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.

Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline VFX in 2012 and works on 300: RISE OF AN EMPIRE. He then takes care of the effects on POMPEII, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.

In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.