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Tag: Digital Effects Supervisor

Black Widow: Hanzhi Tang – Digital Effects Supervisor – Digital Domain

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Hanzhi Tang has been working in visual effects for over 20 years. He joined Digital Domain in 2003 and has worked on a number...

ANT-MAN AND THE WASP: Nikos Kalaitzidis (VFX Supervisor) & Joel Behrens...

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In 2017, Nikos Kalaitzidis had explained the work of Digital Domain on THE FATE OF THE FURIOUS. He then worked on SPIDER-MAN: HOMECOMING, A WRINKLE IN TIME and SHADOW. Joel Behrens began his visual effects career in 2002 at Asylum Visual Effects. Then he worked at Digital Domain, Industrial Light & Magic, ESC Entertainment and Weta Digital. He returned to Digital Domain in 2006. He has worked on many films such as TRANSFORMERS: REVENGE OF THE FALLEN, THOR, ENDER'S GAME and READY PLAYER ONE.

THE SHAPE OF WATER: Trey Harrell – Digital Effects Supervisor –...

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Trey Harrell began his career at Mr. X more than 8 years ago. He has worked on many projects such as TRON LEGACY, THE THREE MUSKETEERS, POMPEII and RESIDENT EVIL: THE FINAL CHAPTER. He talks to us today about his work on THE SHAPE OF WATER, his third show with director Guillermo del Toro.

PIRATES OF THE CARIBBEAN – DEAD MEN TELL NO TALES: Rudy...

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Rudy Grossmann has nearly 20 years of experience in the visual effects. He has worked in many studios such as Industrial Light & Magic, The Orphanage, Weta Digital or Digital Domain before joining Atomic Fiction in 2014. At Atomic Fiction, he has worked on different movies such as THE WALK, DEADPOOL or ALIEN: COVENANT.

GHOST IN THE SHELL: Seth Hill – Digital Effects Supervisor –...

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In 2016, Seth Hill explained to us about the work of Atomic Fiction on STAR TREK BEYOND. He then worked on ALLIED and ROGUE ONE.

THE FATE OF THE FURIOUS: Jay Barton (VFX Supervisor) & Nikos...

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In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Daniel Tarmy – Digital Effects...

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Daniel Tarmy worked in many studios like Digital Domain and Sony Pictures Imageworks before joining MPC for PROMETHEUS. He worked on many projects such as WORLD WAR Z, 47 RONIN, GOOSEBUMPS or THE FINEST HOURS.

MALEFICENT: Kelly Port – VFX Supervisor – Digital Domain

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Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

X-MEN – DAYS OF FUTURE PAST: Lou Pecora – VFX Supervisor...

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Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.

CARRIE: Eric Robinson – Digital Effects Supervisor – Mr. X

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In 2012, Eric Robinson had explained to us about the work of Mr. X on RESIDENT EVIL: RETRIBUTION. He is now back to talk about the remake of CARRIE.