Tag: Deadpool


Ready for a PG-13 version of DEADPOOL? Here is the trailer for ONCE UPON A DEADPOOL: The VFX are made by: DNEG (VFX Supervisor: Mike Brazelton) Framestore...

Best of 2016 and the expectations for 2017

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

Oscars 2017: the 20 contenders for the Best VFX

The Academy of Motion Picture Arts and Sciences have announced the 20 contenders for the Best Visual Effects Award for the 89th Academy Awards: ALICE...

DEADPOOL: VFX Breakdown by Luma Pictures

Luma Pictures presents their VFX work (mainly during the final fight sequence) on DEADPOOL (click on the picture below to watch the reel): WANT TO...

View Conference 2016: Program and VFX Speakers

Book your dates, 24-28 October, for the new edition of View Conference! The program is again rich and diverse with many directors and VFX supervisors...

Atomic Fiction Showreel 2016

Atomic Fiction have released their showreel featuring their VFX work on DEADPOOL, THE WALK, GAME OF THRONES and more (click on the picture below...

DEADPOOL: VFX Breakdown by Image Engine

Have a look at this VFX breakdown by Image Engine about their work on DEADPOOL: WANT TO KNOW MORE? Image Engine: Dedicated page about DEADPOOL on...

DEADPOOL: Titles by Blur Studio

Art of the Title purpose a great article about the excellent titles of DEADPOOL created by Blur Studio: (click on the picture below to...

DEADPOOL: VFX Breakdown by Atomic Fiction

Great VFX Breakdown by Atomic Fiction about their work on DEADPOOL: WANT TO KNOW MORE? Atomic Fiction: My interview of Ryan Tudhope, VFX Supervisor & Co-founder,...

DEADPOOL: Charlie Tait – VFX Supervisor – Weta Digital

Charlie Tait began his career in visual effects in 1996 at Cinesite. He worked on films like EVENT HORIZON, TOMORROW NEVER DIES, or LOST IN SPACE. He joined Weta Digital in 2000 and worked on the LORD OF THE RINGS trilogy. He participates in many projects of the studio like AVATAR, PROMETHEUS or IRON MAN 3.