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Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.

Simone Kraus has more than 18 years of experience in animation and visual effects. She is the co-owner of Trixter and has worked on a large number of projects such as CLOUD ATLAS, THE AVENGERS, IRON MAN 3 and the CAPTAIN AMERICA trilogy. She is at the head of the Los Angeles office of Trixter. In 2016, Alessandro Cioffi told us about the Trixter's work on CAPTAIN AMERICA: CIVIL WAR. With Simone, they explains their work on the GUARDIANS OF THE GALAXY sequel.

Brendan Seals is working at Luma Pictures since several years. He has worked on many films such as GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON, DEADPOOL and DOCTOR STRANGE.

Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.

At the end of last year, Sean Devereaux, had explained to us the work of Zero VFX on THE MAGNIFICENT SEVEN. He talks to us today about his work on the invisible effects of PATRIOTS DAY.

In 2015, Christian Irles explained in detail about the work of MPC on INTO THE WOODS. He then took care of the visual effects of PAN and MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN. He joined Cinesite in 2016 and worked on ASSASSIN'S CREED.

Ivan Moran has worked in the visual effects for over 20 years. Before joining Framestore, he worked at Animal Logic and Weta Digital. He supervised the effects of many films such as THE SMURFS, THE SECRET LIFE OF WALTER MITTY, DRACULA UNTOLD and THE LEGEND OF TARZAN.

In 2011, Louis Morin explained to us about his work on SOURCE CODE. He then handles the visual effects for DARK HORSE, ON THE ROAD, BEAUTY AND THE BEAST and SICARIO. ARRIVAL is his second collaboration with director Denis Villeneuve.

Stephane Ceretti explained to us in details about his colossal work on GUARDIANS OF THE GALAXY in 2014. Today he talks about the many challenges encountered on DOCTOR STRANGE.