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The last time, Robin Hollander had explained his work as Compositing Supervisor on THE HOBBIT: AN UNEXPECTED JOURNEY. He then worked on IRON MAN 3. It is now back in Middle Earth.

Adam Rowland works in visual effects for over 8 years. He has participated in many TV series like DR WHO or GENERATION KILLS and also on several movies such as PRINCE OF PERSIA: THE SANDS OF TIME, 28 WEEKS LATER or SKYFALL.

In 2012, Cédric Fayolle had detailed to us the work of Mikros Image on RUST & BONE. Then he oversaw the effects of films like FOXFIRE, MAIS QUI A RE-TUÉ PAMELA ROSE? and THE PAST. 9 MONTH STRETCH is his second collaboration with director Albert Dupontel.

Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

Two years ago, Dan Lemmon told us about the work of Weta Digital for RISE OF THE PLANET OF THE APES. It is now back to explain his work on MAN OF STEEL.

Miguel Lee worked for over 7 years in the motion design. As a freelance artist, he worked for several studios as Logan, Capacity or Imaginary Forces. In 2011, he joined the team of Imaginary Forces as Creative Director.

Before joining ILM in 1996, Hal Hickel had worked at Will Vinton Studios and Pixar. At ILM, he participated on many of the major projects of the studio such as STAR WARS EPISODE 1 and 2 and also on the first three PIRATES OF THE CARIBBEAN. He receives an Oscar for his work on PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST. He then work on IRON MAN and especially to RANGO and also SUPER 8.

Lindy DeQuattro worked at ILM for over 15 years. She has participated in projects such as DEEP IMPACT, MINORITY REPORT, HULK or VAN HELSING. As visual effects supervisor, she took care of movies like RUSH HOUR 3, CLONES or THE GREAT GATSBY.

A few months ago, Ara Khanikian explained to us the work of Rodeo FX on JACK THE GIANT SLAYER. Today he talks about the magical effects for NOW YOU SEE ME.