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Koen Vroeijenstijn worked in the video game at Guerrilla Games before coming to the U.S. and joining DreamWorks Animation. He worked on projects such as KUNG FU PANDA, MEGAMIND or RISE OF THE GUARDIANS. He then joined Image Engine to work on ELYSIUM.

During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.

Matt Dessero began his career in the VFX more than 15 years ago. He worked in many studios such as CFC, Sony Imageworks, ESC Entertainment and recently Method Studios. He has worked on films like AMERICAN BEAUTY, MATRIX REVOLUTIONS, WATCHMEN, ARGO or CLOUD ATLAS.

Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Here is my summary of FMX 2013. It was a great edition full of interesting conferences and meetings. See you in 2014.

Mikael Damant-Sirois began working at Meteor Studio on projects such as JOURNEY TO THE CENTER OF THE EARTH or TV series CRUSOE. He joined Rodeo FX in 2012 and worked on films like RED TAILS, MIRROR MIRROR or THE TWILIGHT SAGA: BREAKING DAWN - PART 2.

Since his last appearance on The Art of VFX where he told us about the VFX of Method Studios on J. EDGAR, Ollie Rankin worked on RED DAWN.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.

Dan Mayer began working in visual effects more than 10 years ago. He has participated in series TV such as DEAD LIKE ME or STARGATE: ATLANTIS and also on many movies including NIGHT AT THE MUSEUM, TROPIC THUNDER, SALT or DARK SHADOWS.