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INTERSTELLAR: Ian Hunter – Miniature VFX Supervisor & Co-founder – New...
Ian Hunter is in the world of special effects for more than 25 years. He is one of the co-founder of New Deal Studios. He has worked on many films such as BATMAN RETURNS, PITCH BLACK, WAR OF THE WORLDS or THE DARK KNIGHT. He just won the Oscar and BAFTA for Best Visual Effects for INTERSTELLAR.
LUCY: Richard Bluff – VFX Supervisor – ILM
Before joining ILM in 2003, Richard Bluff worked at Revolution Software and Blur. At ILM, he worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS, IRON MAN or THE AVENGERS.
GUARDIANS OF THE GALAXY: Stephane Ceretti – Production VFX Supervisor
During his last visit, in 2011, Stephane Ceretti talked to us in details about his work on CAPTAIN AMERICA: THE FIRST AVENGER. He then worked on CLOUD ATLAS and THOR: THE DARK WORLD.
VFX Supervisor Everett Burrell joins shade VFX
shade VFX have announced yesterday that VFX Supervisor Everett Burrell will join their teams!
Here is the press release:
Bryan Godwin, CEO shade VFX, announced today...
CAPTAIN AMERICA – THE WINTER SOLDIER: Bryan Grill – VFX Supervisor...
Last year, Bryan Grill explained to us in details the work of Scanline VFX on IRON MAN 3. He is now back in the Marvel universe with CAPTAIN AMERICA. THE WINTER SOLDIER.
THE WOLVERINE: Glenn Melenhorst – VFX Supervisor – Iloura
Glenn Melenhorst spoke about the effects of Iloura for DON'T BE AFRAID OF THE DARK in 2010, then he worked on films such as PRIEST, TED or AFTER EARTH.
STAR TREK INTO DARKNESS: Kevin Baillie – VFX Supervisor – Atomic...
A few months ago, Kevin Baillie explained the work of Atomic Fiction of Robert Zemeckis' FLIGHT, for which they won the Satellite Award for Best Visual Effects. This time he talks about his work for STAR TREK INTO DARKNESS.
TOTAL RECALL: Sean Farrow – VFX Supervisor – Lipsync Post
Sean Farrow worked for over 10 years in VFX. He participated in many movie projects as BATMAN BEGINS, ANGELS & DEMONS, JANE EYRE or IRONCLAD and also on TV shows like BAND OF BROTHERS, ROME or MISFITS.
ROCK OF AGES: Jay Barton – VFX Supervisor – Digital Domain
Jay Barton worked over 14 years at Digital Domain and participated in many projects such as STAR TREK: NEMESIS or TRON LEGACY. He oversaw the effects of X-MEN FIRST CLASS. He speaks here about the invisible effects for ROCK OF AGES.
SAFE HOUSE: Simon Hughes – VFX Supervisor – Image Engine
After speaking with us about the effects for IMMORTALS, Simon Hughes returns to The Art of VFX. In the following interview, he talks of the many invisible effects for SAFE HOUSE.