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Eternals: Daniele Bigi (VFX Supervisor) with Peter Kyme (CG Supervisor), Mathieu...

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In 2019, Daniele Bigi had explained ILM's work on Aladdin. He then worked on Star Wars: The Rise of Skywalker. Peter Kyme started his career...

Dune: Paul Lambert (Production VFX Supervisor), Tristan Myles (VFX Supervisor –...

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Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

Loki: David Seager (VFX Supervisor), George Kuruvilla (CG Supervisor), Dan Mayer...

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Back in 2020, David Seager explained ILM's work on Terminator: Dark Fate. He then worked on We Can Be Heroes. Today he tells us...

For All Mankind – Season 2: Jay Redd – Overall VFX...

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Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

Godzilla vs Kong: Kevin Smith (VFX Supervisor), Edwina Ting (Animation Lead)...

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Last month, Kevin Smith explained in detail the work of Weta Digital on Zack Snyder's Justice League. Today he comes back with a completely...

Lovecraft Country: Jonathan Weber – VFX Supervisor – RISE

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Last year, Jonathan Weber explained the work of RISE on the third season of Westworld. Then he worked on WandaVision and Reminiscence. Today he...

THE CHRISTMAS CHRONICLES 2: Martin Hill (Overall VFX Supervisor), Nick Stein...

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In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

CURSED: Ciaran Crowley – VFX Supervisor – Milk Visual Effects

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Ciaran Crowley began his career in the visual effects more than 20 years ago at DNEG. He joined Milk Visual Effects in 2018. His filmography includes many films such as THE DARK KNIGHT, INCEPTION, THE ASH LAD: IN THE HALL OF THE MOUNTAIN KING, THE PROFESSOR AND THE MADMAN.

PERRY MASON: Mitchell Drain – VFX Supervisor – Digital Domain

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In 2012, Mitchell Drain explained the work of Method Studios on THIS MEANS WAR. He then joined Shade VFX in 2015 and Digital Domain in 2018. He has worked on projects such as KONG: SKULL ISLAND, DOWNSIZING, WESTWORLD and THE TWILIGHT ZONE.

TOGO: Raymond Chen – VFX Supervisor – DNEG

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Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.