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THE HOBBIT – THE DESOLATION OF SMAUG: Eric Saindon – VFX...

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Last year, Eric Saindon had told us in detail about his work for THE HOBBIT - AN UNEXPECTED JOURNEY. Now, he's back for the second episode of HOBBIT.

DOCTOR WHO – 50TH ANNIVERSARY SPECIAL – DAY OF THE DOCTOR:...

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For over 10 years, Murray Barber has worked in many English VFX studios like MPC, Double Negative, Cinesite, Mill Film and Milk VFX. He has participated on projects such as BLACK HAWK DOWN, TROY, CORPSE BRIDE or 28 WEEKS LATER and also the TV series DOCTOR WHO.

CAPTAIN PHILLIPS: Adam Rowland – VFX Supervisor – Nvizible

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Adam Rowland works in visual effects for over 8 years. He has participated in many TV series like DR WHO or GENERATION KILLS and also on several movies such as PRINCE OF PERSIA: THE SANDS OF TIME, 28 WEEKS LATER or SKYFALL.

THE WORLD’S END: Frazer Churchill – VFX Supervisor – Double Negative

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In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He's back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD'S END.

CALL OF DUTY – GHOST: Robert Sethi – Creative Director –...

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Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.

RIDDICK: Alain Lachance – VFX Supervisor – Mokko Studio

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Alain Lachance has over 20 years of experience in visual effects. He began as an artist Flame at Mokko Studio and worked on films like Silent Hill or THE FOUNTAIN. As VFX supervisor, he took care of the visual effects for films such as MR. MAGORIUM'S WONDER EMPORIUM, UNDERWORLD: AWAKENING or MIRROR MIRROR.

WHITE HOUSE DOWN: Martyn Culpitt (VFX Supervisor) & Mark Wendell (CG...

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Martyn Culpitt started his career in visual effects with the LORD OF THE RINGS trilogy, then he worked on films such as VANTAGE POINT, INVICTUS or THE GREEN HORNET. He joined Image Engine in 2012. Mark Wendell is in VFX for over 20 years. He worked on films like SHREK, ALICE IN WONDERLAND, SPEED RACER or PROMETHEUS.

THE LONE RANGER: Tim Alexander – VFX Supervisor – ILM

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Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.

KICK ASS 2: Hugh Macdonald – VFX Supervisor – Nvizible

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In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.

WHITE HOUSE DOWN: Aleksandar Pejic – VFX Supervisor – Prime Focus...

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Last year, Aleksandar Pejic explained to us the work of Prime Focus World on TOTAL RECALL. Now he talks about his work on WHITE HOUSE DOWN.