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THE LOST CITY OF Z: Eran Dinur – Overall VFX Supervisor...
Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.
15th Annual VES Awards: The nominees
The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards:
Outstanding Visual Effects in a Photoreal Feature
DOCTOR STRANGE...
ALICE THROUGH THE LOOKING GLASS: Jay Redd – VFX Supervisor –...
Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.
DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain
Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.
THE WALK: Kevin Baillie – Overall VFX Supervisor – Atomic Fiction
During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.
TED 2: Blair Clark – Production VFX Supervisor
In 2012, Blair Clark talked to us about his work on TED. Then he worked on AFTER EARTH and worked again with director Seth MacFarlane on his film A MILLION WAYS TO DIE IN THE WEST. He explains today his work on this new episode of TED.
CHILD 44: Chris Harvey (VFX Supervisor) & Bernhard Kimbacher (Compositing Supervisor)...
In last March, Chris Harvey talked in detail about the work of Image Engine on CHAPPIE by Neill Blomkamp. As for Bernhard Kimbacher, he had detailed to us his work on LONE SURVIVOR last year.
EDGE OF TOMORROW: Matt Kasmir – VFX Supervisor – Nvizible
Matt Kasmir began his career in the VFX in 1988 at The Computer Film Company. He works in the compositing and participates in many films such as KING KONG, V FOR VENDETTA or STARDUST. He joined Nvizible for GRABBERS and works on films like WRATH OF THE TITANS, SKYFALL or GRAVITY.
CAPTAIN AMERICA – THE WINTER SOLDIER: Russell Earl – VFX Supervisor...
After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of ILM in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I - THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.
41st Annual Annie Awards
Congratulations to all the 41ST ANNUAL ANNIE AWARDS winners!
Especially the Weta Digital and Industrial Light & Magic teams in the live action categories...