Masters of the Air - résultats de la recherche

Dive into the immersive world visual effects for Masters of the Air, where every detail of WWII comes to life. Distillery VFX delivers stunning...

Dive into the world of Masters of the Air with Whiskytree's extraordinary visual effects. Witness the awe-inspiring recreation of B-17 bombers and the hauntingly...

Dive into the heart of World War II with Masters of the Air on Apple TV+. Witness the stunning visual effects crafted by DNEG...

With a career spanning 35 years, Stephen Rosenbaum's journey in the realm of visual effects commenced at ILM. Throughout his tenure, he lent his...

Explore the behind-the-scenes of the creation of the Apple TV+ series, Masters of the Air, with really cool footage of sets, costumes, and actors...

The wait is finally over to discover the new Apple TV+ series, Masters of the Air! Let's take a look at the beautiful opening...

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

Pavani Rao began her career in visual effects in 2005 at The Orphanage. She then joins Rhythm & Hues and work on many films such as THE GOLDEN COMPASS or THE INCREDIBLE HULK. In 2009 she moved to Weta Digital to work on AVATAR. She then worked on RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and the HOBBIT trilogy.

Here are the nominations for the 13th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture DAWN OF...

After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.