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SUCKER PUNCH: Thilo Ewers – Art Director & Environment Supervisor –...
After several years of freelance, Thilo Ewers joined the team of Pixomondo in 2008. He has worked on films such as NINJA ASSASSIN, 2012 or THE LAST AIRBENDER. In the following interview, he discusses his work on SUCKER PUNCH.
KUNG FU PANDA 2: Rodolphe Guenoden – Supervising Animator & Fight...
Rodolphe Guenoden is working in animation for over 20 years. Within Dreamworks Animation, he participated in projects such as THE PRINCE OF EGYPT, THE ROAD TO EL DORADO, SINBAD: LEGEND OF THE SEVEN SEAS or KUNG FU PANDA. In the following interview, he talks about his work on KUNG FU PANDA 2.
X-MEN FIRST CLASS: Vincent Cirelli – VFX Supervisor – Luma Pictures
Vincent Cirelli and his brilliant team at Luma Pictures are back on The Art of VFX. After given life to the impressive Destroyer on THOR, Vincent discusses his work on the super-heroes of X-MEN FIRST CLASS.
X-MEN FIRST CLASS: Stephane Ceretti – Production VFX Supervisor
After his great work on PRINCE OF PERSIA at MPC, Stephane Ceretti joined the team of Method Studios. He oversaw the shooting of the second unit for CAPTAIN AMERICA. Working with the VFX legend John Dykstra, Stephen talks about his work as supervisor on X-MEN FIRST CLASS.
THE BURMA CONSPIRACY: Guillaume Pondard – VFX Supervisor – Mikros Image...
Guilaume Pondard joined in 1998. For almost 10 years he worked there as Flame artist and 2D supervisor on commercials and music videos. In 2009, he participated in the installation of Mikros Image Liege and worked on films such as COCO BEFORE CHANEL, DON'T LOOK BACK and THE OTHER WORLD.
PAUL: Jody Johnson – VFX Supervisor – Double Negative
Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.
BATTLE LOS ANGELES: Ben Shepherd – VFX Supervisor – Cinesite
Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.
BATTLE LOS ANGELES: Jeff Campbell – VFX Supervisor – Spin VFX
After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.
PAUL: Anders Beer – Animation Supervisor – Double Negative
Anders Beer began his animator career in 1996 at Dreamworks SKG, he then worked in many studios like Banned from the Ranch, Digital Domain and Sony Imageworks. He has participated on movies such as SPAWN, LAKE PLACID, OPEN SEASON or REIGN OF FIRE. At Double Negative, he supervised the animation of the Tooth Fairies sequence on HELLBOY 2.
SEASON OF THE WITCH: Blair Clark – VFX Supervisor – Tippett...
Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.