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Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.

STAR TREK INTO DARKNESS: Kevin Baillie – VFX Supervisor – Atomic...

A few months ago, Kevin Baillie explained the work of Atomic Fiction of Robert Zemeckis' FLIGHT, for which they won the Satellite Award for Best Visual Effects. This time he talks about his work for STAR TREK INTO DARKNESS.

THE HOBBIT: AN UNEXPECTED JOURNEY: Eric Saindon – VFX Supervisor –...

Eric Saindon began working in visual effects at Santa Barbara Studios on STAR TREK INSURRECTION and SUPERNOVA. In 2000, he joined Weta Digital to work on the LORD OF THE RINGS trilogy. Then he worked on projects such as I ROBOT, KING KONG or AVATAR.

TOTAL RECALL: Olivier Cauwet – VFX Supervisor – BUF

Olivier Cauwet is back on The Art of VFX. After explaining the challenges for SUR LA PISTE DU MARSUPILAMI, Olivier explains his work on the remake of TOTAL RECALL.

WRATH OF THE TITANS: Gary Brozenich – VFX Supervisor – MPC

Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.

BOARDWALK EMPIRE: Justin Ball – VFX Supervisor – Brainstorm Digital

After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.