3 Body Problem - search results

Takashi Yamazaki started his career in 1986 at Shirogumi as a model artist, then it will work as a VFX designer before becoming director. It will directs movies like JUVENILE, RETURNER or DEMON WARRIOR 3. He is the VFX supervisor for most of his films. In the following interview, he talks about his work on the space opera SPACE BATTLESHIP YAMATO.

After studying in Korea and Canada, Eui Park returned to Korea and worked at Next Visual Studio on over 40 films including THE CHASER, THREE KINGDOMS or THE MUREDERER. In the following interview, he talks about his work on 14 BLADES (YI JIN WEI).

Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.

After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.

After telling us about his work at Double Negative on KICK ASS, Mattias Lindahl is back on The Art of VFX to tell us about his new project, ATTACK THE BLOCK, this time at Fido in Sweden.

David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

Digic Pictures became known by working on the effects of TERMINATOR 3: RISE OF THE MACHINES. They then conducted numerous cinematic games like ARMIES OF EXIGO, WARHAMMER or DRAGON AGE 2. And of course, the impressive cinematics for the last three ASSASSIN'S CREED. In the following interview, the team Digic Pictures tell us about his work on ASSASSIN'S CREED REVELATIONS.

Brendan Taylor began his career as on-set assistant for the series HELEN OF TROY. In 2004, he joined Mr. X and participates in projects such as 16 BLOCKS and SILENT HILL as VFX coordinator. Thereafter, it continues to be present on set for movies like SHOOT 'EM UP and WHITEOUT and VFX supervisor for LUST CAUTION or TAKING WOODSTOCK.

Jonathan Harb began his career as a production assistant in the art department at ILM in 1996, he later became concept artist, matte painter, supervisor of the matte painting department and VFX supervisor. At ILM, he worked on such films as MEN IN BLACK I and II, the new STAR WARS trilogy, THE PERFECT STORM, or I.A. In 2007, he founded Whiskytree and oversaw the effects of movies like TERMINATOR SALVATION or TRON LEGACY. In the following interview, he talks about his work on THOR.

Rodolphe Guenoden is working in animation for over 20 years. Within Dreamworks Animation, he participated in projects such as THE PRINCE OF EGYPT, THE ROAD TO EL DORADO, SINBAD: LEGEND OF THE SEVEN SEAS or KUNG FU PANDA. In the following interview, he talks about his work on KUNG FU PANDA 2.