13 hours - résultats de la recherche

Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.

Last year, David Vickery explained the work of Double Negative on THE PIRATES! BAND OF MISFITS. This time he talks about crazy car chases, giant airplane and CG cars for FAST & FURIOUS 6.

Christopher Townsend joined ILM in 1995. He stayed 11 years there and will work on projects such as CONGO, ARTIFICIAL INTELLIGENCE: AI, HULK and also the new STAR WARS trilogy. Since 2008, he is VFX supervisor and take care of movies such as JOURNEY TO THE CENTER OF THE EARTH, NINJA ASSASSIN or CAPTAIN AMERICA: THE FIRST AVENGER.

Danny Yount is back on The Art of VFX. He explains the different process and the challenges for the creation of the opening title and end title for OBLIVION made by Prologue Films. This is his second collaboration with director Joseph Kosinski.

Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.

Eric Saindon began working in visual effects at Santa Barbara Studios on STAR TREK INSURRECTION and SUPERNOVA. In 2000, he joined Weta Digital to work on the LORD OF THE RINGS trilogy. Then he worked on projects such as I ROBOT, KING KONG or AVATAR.

Prior to founding One Of Us with Rachael Penfold in 2006, Tom Debenham and Dominic Parker worked at Framestore for many years. They participated in projects like MISSION IMPOSSIBLE II, CHICKEN RUN or RESIDENT EVIL. At One of Us, they have been working on THE TREE OF LIFE or MIRROR MIRROR.

Guillaume Rocheron is back for the last interview in 2012 on The Art of VFX! After he has talked about the giants samurais created by MPC for SUCKER PUNCH, it attacks with LIFE OF PI to the creation of unbridled elements in the open ocean.